Michael Roy

Michael Roy's work has the particularity to do without doing: a movie without camera, an art work based on images or texts pre-existent, a fiction based on other fictions. He crosses universes. He combines them. He invites us to appropriate his fictions and works with the purpose to let us create ours. From fiction to reality, from common to personal, using sometimes actuality, sometimes fictions, mixing sometimes written, or images, or photographies, erasing and playing with the traces, the artist builds a complexe and familiar work. We are close and far at the same time. These stories are ours but different, well known and strange.

Michael Roy's work has the particularity to do without doing: a movie without camera, an art work based on images or texts pre-existent, a fiction based on other fictions. He crosses universes. He combines them. He invites us to appropriate his fictions and works with the purpose to let us create ours. From fiction to reality, from common to personal, using sometimes actuality, sometimes fictions, mixing sometimes written, or images, or photographies, erasing and playing with the traces, the artist builds a complexe and familiar work. We are close and far at the same time. These stories are ours but different, well known and strange.

Michael Roy's work has the particularity to do without doing: a movie without camera, an art work based on images or texts pre-existent, a fiction based on other fictions. He crosses universes. He combines them. He invites us to appropriate his fictions and works with the purpose to let us create ours. From fiction to reality, from common to personal, using sometimes actuality, sometimes fictions, mixing sometimes written, or images, or photographies, erasing and playing with the traces, the artist builds a complexe and familiar work. We are close and far at the same time. These stories are ours but different, well known and strange.

Michael Roy's work has the particularity to do without doing: a movie without camera, an art work based on images or texts pre-existent, a fiction based on other fictions. He crosses universes. He combines them. He invites us to appropriate his fictions and works with the purpose to let us create ours. From fiction to reality, from common to personal, using sometimes actuality, sometimes fictions, mixing sometimes written, or images, or photographies, erasing and playing with the traces, the artist builds a complexe and familiar work. We are close and far at the same time. These stories are ours but different, well known and strange.

Michael Roy's work has the particularity to do without doing: a movie without camera, an art work based on images or texts pre-existent, a fiction based on other fictions. He crosses universes. He combines them. He invites us to appropriate his fictions and works with the purpose to let us create ours. From fiction to reality, from common to personal, using sometimes actuality, sometimes fictions, mixing sometimes written, or images, or photographies, erasing and playing with the traces, the artist builds a complexe and familiar work. We are close and far at the same time. These stories are ours but different, well known and strange.

Édition 2017 - Impression pigmentaire Ultrachrome - 42x30cm - Edition exclusive Arsenal Concept d’après un cyanotype de Michael Roy - € 30.00
T-SHIRT - Édition limitée collaboration  Arsenal Concept/Michael Roy 2017 - € 25.00
Édition 2016 - Poster couleur signé, numéroté - A2 - Édition exclusive Haus Block - € 10.00
MICHAEL ROY,  The secret diary of…  2011 – Edition 100 – 210 pages – 21x15cm - € 25.00
MICHAEL ROY,  The secret diary of…  2011 – Edition 100 – 210 pages – 21x15cm - € 25.00
Sans titre, 2007. Tirage numérique sur papier photo, édition limitée - 100x75cm
Sans titre, 2007. Tirage numérique sur papier photo, édition limitée - 100x75cm
Sans titre, 2007. Tirage numérique sur papier photo, édition limitée - 100x75cm
Sans titre, 2007. Tirage numérique sur papier photo, édition limitée - 100x75cm
Sans titre, 2007. Tirage numérique sur papier photo, édition limitée - 100x75cm
Sans titre, 2007. Tirage numérique sur papier photo, édition limitée - 100x75cm
Sans titre, 2011. Tirage numérique sur papier photo, édition limitée - 130x100cm
Sans titre, 2011. Tirage numérique sur papier photo, édition limitée - 130x100cm
MICHAEL ROY - LA TENSION MONTE, roman. Édition Toast inK Press, 2004 - Épuisé - Ou comment 7 années consécutives de prélèvement assidu dans les « Si vous avez manqué l’épisode précédent » d ’un magazine télé ont fourni à l’artiste la matière à un roman mutant ; une sorte looping romanesque infernal, sans interlude ni chute, au cours duquel personnages et intrigues ne connaissent ni repos ni répit. Un spectator’s digest à zapette intégrée dont le lecteur - s’il ose s’y mesurer - devient dès les premières pages le véritable acteur…
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